Alun Hood

“Ultimately it’s the ineptitude rather than the tricky subject matter that sinks Trainspotting The Musical.”

“Dramatically inert but musically magnificent, this is a solid tribute to a singular talent, and will undoubtedly prove a glamorous summer hit.”

“White Rabbit Red Rabbit is as interesting for its history and background as it is in its own right.”

“Jess Edwards’ intense, superbly acted production is a masterpiece of controlled chaos, balancing the artificial with raw anguish and gallows humour.”

“Decades on, Avenue Q remains a delight, the theatrical definition of naughty but nice.”

“It’s impressive but dramatically inert, ultimately not really proving why Synge’s tale of romantic disappointment and the ludicrousness of putting people on a pedestal, is worthy of a major revival at the present time.”

“The tonal inconsistencies may be deliberate, but they make for a frustrating experience overall.”

“Here, it feels a little overstretched despite the quality of the writing and performances, and the close proximity of a portion of the audience.”

“This is clearly going to be an enormous popular hit.”

“The Great Gatsby isn't a great tuner: it's neither cynical enough to really explore the dark underbelly of the F Scott Fitzgerald story with which it flirts, nor is it distinguished enough to provide the uplift of musical theatre at its best, but it's the epitome of a slick, escapist West End night out.”

“Gals and gays, welcome to your new favourite musical.”

“Timeless and heart-burstingly magical, there’s no other current West End musical I’d rather be at.”

“People, Places And Things remains sensational but not sensationalist, a provocative, illuminating drama.”

“This triumphant new musical, based on artist Henry Fraser’s authentically inspirational memoir of the same name, is a real workout for the emotions.”

“The phans will still be ecstatic…and so will many many other people.”