New York Classical Review · Mar 10, 2026
“The registered effects are both gratuitous and superfluous, a director showing he has ideas but still doesn’t quite understand what opera is all about.”
Also writes for: Financial Times
Reviews
10
Average
76
Highest
89
Lowest
60
New York Classical Review · Mar 10, 2026
“The registered effects are both gratuitous and superfluous, a director showing he has ideas but still doesn’t quite understand what opera is all about.”
New York Classical Review · Jan 1, 2026
“On Wednesday’s opening night, Oropesa and Brownlee were both excellent.”
New York Classical Review · Oct 29, 2025
“With Leonard as the central human element, this is a superb revival.”
New York Classical Review · Sep 25, 2025
“Van Hove’s production has a disruptive, at times enervating effect on the performance.”
New York Classical Review · Sep 24, 2025
“All in all, this is as sturdy a Turandot as one would wish, with some exceptional moments.”
Financial Times · Jan 2, 2024
“The details are all a pleasure to see, ideal ornaments on top of this fine score and some wonderful singing.”
“It is a small, intimate work that in its coolly incandescent way, burrows its way into the listener’s mind and heart.”
“This cast made that substantial and often glorious.”
“As a Gesamtkunstwerk, it succeeded brilliantly.”