Frank Scheck · Oct 21, 2011
“That this level of writing talent--not to mention an estimable cast of many comedic pros--could produce such a lethargic, laugh-free evening is a mystery and a tremendous disappointment.”
Reviews
18
Average
66
Highest
86
Lowest
17
Frank Scheck · Oct 21, 2011
“That this level of writing talent--not to mention an estimable cast of many comedic pros--could produce such a lethargic, laugh-free evening is a mystery and a tremendous disappointment.”
Frank Scheck · Oct 14, 2011
“Bassett is even better, stealing the show with her wildly raucous and earthy portrayal that fully mines her character’s humorous and otherworldly qualities.”
Frank Scheck · Oct 10, 2011
“Theatre Company is presenting a cannily timed revival of this largely forgotten work—a flop in its original 1963. London and Broadway productions—that offers a juicy star turn for Frank Langella. The 73-year-old delivers a mesmerizing performance as Gregor Antonescu, a Romanian financier whose fraudulent empire is on the verge of collapsing.”
Frank Scheck · Sep 13, 2011
“But by the end of this powerful and gorgeous new Follies, all doubts have been removed.”
Frank Scheck · Jul 8, 2011
“Daly delivers a commanding performance that is a master class all by itself.”
Frank Scheck · Apr 29, 2011
“The People in the Picture is an ambitious and well-meaning show, to be sure.”
Frank Scheck · Apr 28, 2011
“A semi-fictionalized account of the beginning of the AIDS crisis and the efforts of a group of dedicated activists to spur the city and country into action, this work, first seen in 1985 in a landmark production at the Public Theater, is relentlessly gripping and moving.”
Frank Scheck · Apr 26, 2011
“But this overly muted rendition, while occasionally displaying moments of stunning theatricality, provides little of the sugar that would help its medicine go down.”
Frank Scheck · Apr 25, 2011
“The production never quite crackles, with the actors delivering their comic banter in far too ponderous fashion.”
Frank Scheck · Apr 22, 2011
“Considering his brilliant comic turn earlier this season in the revival of La Bete and now his titanic performance in Jez Butterworth’s new play Jerusalem at the same theater, we might as well engrave actor Mark Rylance’s Tony Award right now.”
Frank Scheck · Apr 21, 2011
“There’s fun, if not musical comedy heaven, to be found in Sister Act, the new Broadway musical adaptation of the hit 1992 movie starring Whoopi Goldberg. Featuring plenty of talent both on and off stage, the show boasts some terrific performances, an engaging ‘70s era-style soul-flavored score, and a few raucous laughs.”
Frank Scheck · Apr 20, 2011
“Despite its manipulative aspects, the play is nonetheless reasonably compelling due to the inherent emotional power of its subject matter.”
Frank Scheck · Apr 18, 2011
“Needless to say, the story ends happily, except for the hapless audience members who’ve had to endure the witless proceedings.”
Frank Scheck · Apr 15, 2011
“Such sequences as when the British officer is literally blown off his steed by a flying projectile and another in which Joey is confronted by a menacing tank are staged with a nightmarish intensity.”
Frank Scheck · Apr 11, 2011
“There's so much that works about Catch Me if You Can that it's easy to overlook what doesn't.”
Frank Scheck · Apr 8, 2011
“Not everyone in the large supporting cast is up to her level.”
Frank Scheck · Mar 28, 2011
“The immediate question, of course, is whether Radcliffe is up to the demands of his leading musical comedy role. The answer is a qualified yes. The young actor has clearly worked hard, very hard, and while his singing is merely pleasant at best, he displays a very likeable and charming stage presence as J.”
Frank Scheck · Mar 23, 2011
“But the overlong evening begins to wear thin over the course of its two-and-a-half hours.”