Amelia Merrill

“It still sings and soars in Act 1 and then punches you in the gut in Act 2.”

“This Glengarry Glen Ross has no sense of urgency, place, or purpose.”

“Farrow’s quietly captivating performance makes The Roommate worth the stay.”

“Despite the best efforts of Sutton Foster and the talented ensemble, Once Upon a Mattress still struggles to stay firm.”

“Home is a fast-talking thrill of 90 minutes, bolstered by the breath support of the cast and the steerage of voice coach Kate Wilson.”

“Despite the stellar Gayle Rankin’s best efforts to inject the latest revival with a sense of urgency as star performer Sally Bowles, director Rebecca Frecknall’s production, now on Broadway after winning multiple awards in London, stays stagnant.”

“The musical about the political infighting on the long road to American women's suffrage has memorable music, star-making performances, and an inspiring message with moments that tug at the heartstrings.”

“Harmony finally arrives on Broadway after 25 years in the making, and its cast, music, and poignant yet thoroughly entertaining story make it worth the wait.”

“The beauty of Hansberry's play almost makes up for Anne Kauffman's production, which feels too unsure of itself to linger or make demands.”

“Unfortunately for New York, New York, now running on Broadway at the St. James Theatre, there isn’t much else.”

“With a less compelling performance from its lead, Good Night, Oscar would fall flat.”

“FastHorse's exploration of it is for everyone’s benefit, striking the balance between educational and entertaining without hammering home the reminder.”

“Bad Cinderella lacks cohesion and succeeds only in pandering.”