Brittany Crowell

“Joe Turner's Come and Gone, by August Wilson, is often quiet and subtle – you have to listen closely, or you may miss the wonder behind the various nuances he's fit into the script or the beauty behind the complexity and depth of his characters.”

“The piece, by David Auburn, is timeless in its storytelling and still pulls at the heartstrings a quarter of a century after its debut.”

“Audiences will leave the show feeling 1000x lighter and inspired by Ana’s journey to spread our wings, take action, and give joy.”

“A Wonderful World is an important story, a hopeful story with a sunny disposition, a story that believes in the possibility of change and in seeing the beauty in the world and trying to build a better one – with music and with love.”

“A new production, one like you’ve likely never seen, with standout performances and a fabulous and aligned design team, Romeo + Juliet defies the stars and brings magic to Circle in the Square.”

“What I’m sure is a moving, personal and vulnerable novel loses much in its translation to the stage; posing the question: Why does this need to be theater?”

“The Roommate is surprising, charming, and highly enjoyable with stand-out performances by its star-studded cast and a feel-good story that will have you smiling for the rest of your evening.”

“It’s a full-bodied celebration of telling stories, being vulnerable, and (very loosely) Illinois making some noise right now at the St. James Theatre.”

“Hell’s Kitchen is a love letter to growing up in New York.”

“The Thanksgiving Play is genius in how it turns on itself and has stood upon the very structures that oppressed it to find its wide success.”

“Pope gives a truly moving performance as the flirtatious and ephemeral Basquiat.”

“If this sounds like a fun, enthusiastic ride, then just wait until the true performance begins!”

“It reads more as a concert and play mash-up with a few too many people on the stage and a deeply tried attempt at emotionally impacting the audience.”

“It also (much like Michael Jackson himself) comes at a price, and one that the producers weren’t willing to acknowledge, perhaps out of fear of hurting their own commercial success.”

“The reimagined Company plays perfectly into the dichotomy that comes along with any relationship or contemplation of singledom and brings the audience on a journey of all the sorrow, gratitude, regret, and happiness that a relationship can bring.”

“Is This a Room feels like a breath of fresh air in the commercial theater realm.”

“Though still incredibly relevant to today’s audiences, the piece feels aged and dated in this production and doesn’t find a full life.”

“In this time of political divide and tension, it was refreshing to laugh with an entire theatre of people about the troubles and aches of a universally human conundrum.”