Chris Abbott

“Transferring from the wide open spaces of the Bridge Theatre to the more traditional end-on setting of a traditional proscenium arch theatre like the Noël Coward has resulted in a tighter, funnier and ultimately even more satisfying production of Into the Woods.”

“Opposite him is the only actor seen in the earlier version of this play: as Sir Humphrey, Clive Francis is an absolute delight.”

“The tonal shift between each of the three sections seems to work against the cohesion of the play, although each is presented with great skill and impressive stagecraft.”