Demetrios Matheou

“Electra/Persona is bold, dazzling, challenging for both actors and audience.”

“Nonetheless, Daniels continues to hold the attention, adeptly shifting his physicality from strength to frailty.”

“And following their stand-out performances in Jamie Lloyd’s recent Shakespearean double, The Tempest (as Ariel) and About Nothing, Park knocks Mary out of the park.”

“It’s a phenomenal piece of theater, with van Hove’s direction, admirably served by Jan Versweyveld’s design, at its most restrained and resonant, giving Miller’s dissection of the American Dream the terrible, shuddering vibration of Greek Tragedy.”

“What a pity, then, that this promise peters out, and an ambitious conceit ultimately fails to deliver.”

“The penalty kick becomes the totem of both Southgate’s approach and the play itself”

“The work by Manville and Strong at the end of the play is at once electrifying, and heartbreaking.”

“It's Complicité through and through, rich in ideas, demanding and exhilarating”

“Though certainly entertaining, this is the most modest and least satisfying of the three productions, the issues being with the play itself rather than the performance.”

“It’s terrifically conceived and staged, Alice Birch’s excellent adaptation adds new layers to the play’s complexity.”

“Transforming one of the West End’s smaller theaters into an intoxicatingly immersive space, and with its star pairing of Eddie Redmayne and Jessie Buckley, this is spectacularly staged, fabulous fun — decadent, delightful and absorbing.”

“Lin-Manuel Miranda‘s vibrant, vital, altogether astounding musical unequivocally holds up to the scrutiny of a new perspective.”