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Gloria Oladipo

The GuardianFreelancer

Also writes for: Broadway News, The Washington Post

Reviews

17

Average

64

Highest

99

Lowest

39

212th most prolific critic·1369th most generous scorer
SORT:
English
English

The Guardian · Jan 23, 2025

80

“English, Sanaz Toossi’s stunning Broadway debut, is a precise study of language’s significance.”

Home
Home

The Guardian · Jun 5, 2024

58

“But, despite its misfires, Home remains a humorous and mythic romp.”

The Great Gatsby

“An attempt to evoke awe through hyper-extended dance intervals and flaccid sets, this remount prioritizes a good time over any purposeful recreation of the American classic.”

Stereophonic
Stereophonic

The Guardian · Apr 19, 2024

97

“Stereophonic, one of Broadway’s most striking plays of the season, is an allegory of industry greed and artistry.”

The Wiz
62

“The production is busied with creating entertainment and signposting Blackness, at the cost of a cohesive, artistic vision.”

Illinoise

“Drury and Peck have crafted something cinematic, a true tribute to Stevens’s original brilliance.”

I Need That
39

“But the three-hander trudges along like a poorly written sitcom, grasping at themes versus addressing its lack of emotional heart or subtlety.”

A Doll's House

“Under Lloyd’s direction, Chastain emphasizes the responsibility and reverence of these identities that Nora firmly grasps, the real grief that swallows her when she fears she has corrupted it all.”

Ain't No Mo'
59

“Cooper’s world is filled with far-reaching images and themes that sometimes lack payoff.”

The Piano Lesson

“Wilson’s seminal work is tonally misread, flattened into a sitcom about a haunted piano versus a family struggling to forge anew amid their past.”

A Strange Loop
99

“The show is so precise and awake, from top to bottom, that having the privilege of sitting through it only once feels unfair.”

Thoughts of a Colored Man

“But more often than not the play struggles to do justice to its broader themes, as well as the inner thoughts and the lived experiences of characters the show invites us to sit with.”

Chicken & Biscuits

“Unfortunately, while Chicken and Biscuits promises romp and chaos, the play’s formulaic script feels like a drawn-out sitcom, having a more soporific effect.”