Greg Stewart

“It is in moments like this that Now You See Me Live truly excels.”

“Thoughtful, visually striking and emotionally resonant, Tao of Glass invites audiences to slow down, listen and reflect.”

“What they will find instead is a dramatically muddled retelling that strips away everything which made the original so vital.”

“Ultimately, this Jesus Christ Superstar is a slick and visually striking revival that too often mistakes scale for substance.”

“Ultimately, Archduke succeeds most as an entertaining and inventive dark comedy that humanises the figures behind a defining historical act.”

“Sinatra The Musical ultimately succeeds, leaving you with a renewed appreciation for the music that made Frank Sinatra an enduring icon.”

“A beautiful, romantic production that says more than the words alone ever could.”

“This is a hilarious comedy, and that’s the truth.”

“Her joyous performance captivates from the opening moments and never loosens its grip.”

“It is, quite simply, dead good.”

“Despite its imperfections, The Boy Who Harnessed the Wind remains an engaging and ultimately uplifting piece of theatre.”

“As filthy, funny and gloriously sharp as ever, this revival understands exactly why the show endures, and with a limited run here at the Shaftesbury, forget Sesame Street, you need to be asking how to get to Avenue Q.”

“Energetic, sometimes entertaining, but ultimately held back by writing and structure that have not aged as well as its creators might hope.”

“This Shadowlands is a thoughtful revival, beautifully performed.”

“For others, it is a stylish but uneven attempt to translate cinematic terror into theatrical form.”

“In a West End crowded with revivals and jukebox fare, this is the best new musical in years.”

“Outrageous, audacious and utterly unmissable, this West End revival is a triumph of impeccable casting, razor-sharp direction and a laugh-a-minute script.”

“Fabian Aloise’s choreography is a triumph.”

“Hercules is a heroic hit, complete with tunics, thunderbolts, and toe-tapping tunes.”

“Consider yourself lucky to see this brilliant revival, it'll leave you begging for more.”

“For those willing to embrace its chaos and nostalgic charm, it’s an irresistible treat.”

“...a blend of awe-inspiring spectacle, sharp wit, and occasionally uneven storytelling”

“Anaïs Mitchell’s score is undeniably brilliant, however, there’s no getting away from the fact that Hadestown is barely more than a concert performance of the album.”

“Operation Mincemeat is pure joy from start to finish, and a wonderfully unique addition to the West End.”

“Indeed, no matter how many of the previous casts you’ve seen, this is the line-up you don’t want to miss.”

“Aaron Sorkin’s To Kill a Mockingbird is powerful, moving, and brimming with humour; a magnificently awe-inspiring piece of theatre.”

“A fantastically staged musical that’s more about the spectacle than the substance.”

“Buckley’s vocal performance is worth the ticket price alone, and when Sally and Cliff (Omari Douglas) come together, there’s some sort of magic happening on that stage.”

“This is a provocative and accomplished work that marks Pickett as a distinctive new voice in British theatre.”

“With all its special effects, Back to the Future: The Musical achieves something incredible; it’s not just like watching a Hollywood movie, it’s like being in a Hollywood movie.”

“This is, regrettably, one of the worst evenings I have spent in a West End theatre.”

“Sadly, it misses the target like a gunslinger shooting blind.”

“This is political satire with heart, intelligence and enormous charm, and it brings the saga of Hacker and Humphrey to a close with laughter and real poignancy.”

“It has slipped gently into the audience’s hearts, and made itself entirely at home.”