The Guardian · Jun 5, 2026
“Are You Watching? sufficiently shatters whatever protective barrier lets us believe we’re not active participants in what we watch.”
Also writes for: Time Out London
Reviews
20
Average
70
Highest
91
Lowest
24
The Guardian · Jun 5, 2026
“Are You Watching? sufficiently shatters whatever protective barrier lets us believe we’re not active participants in what we watch.”
The Guardian · Feb 13, 2026
“This feral story soars with untamed life.”
The Guardian · Dec 16, 2025
“By treating horror as an art form rather than a cheap set of jump scares, this thrilling new show, which wears its connection to the world of the Paranormal Activity film franchise lightly, proves how jaw-clenchingly, arm-clutchingly frightening horror on stage can be.”
The Guardian · Sep 26, 2025
“Despite the show’s overly expository dialogue, Clarkston gradually gives way to an intimate story about trying to make the best of the hand you’ve been dealt.”
The Guardian · Sep 3, 2025
“An intelligent slice of historical fiction that offers muscular performances and reminds us to lavish more attention on the other great Elizabethan playwright, Born With Teeth yearns for a sharper bite.”
The Guardian · Feb 12, 2025
“Beyond intellectual and ethical debates, this play stabs at the heart.”
Time Out London · Nov 28, 2024
“Intelligent but sometimes heavy-handed drama about two estranged Muslim sisters who become caught up in a grooming scandal.”
The Guardian · Mar 18, 2024
“But the well-behaved staging does not challenge her.”
The Guardian · Feb 15, 2024
“This glorious revival of Dodie Smith’s interwar family drama is a visual and emotional feast.”
The Guardian · Nov 10, 2023
“Mates in Chelsea stems from a funny concept but in the large space downstairs at the Royal Court, it feels like a satirical comedy sketch that has been overstretched to vapidity in order to fit a full length play.”
The Guardian · Aug 10, 2023
“The Effect evokes the deliciously unsettling feeling that all of us are nothing more than bundles of chemicals in ongoing experiments.”
The Guardian · Jun 19, 2022
“A heady production with stellar performances, Rapture is a thriller, a trickster, and an absolute romp.”
The Guardian · Jan 28, 2022
“Vicky Featherstone’s production has great control in the way it slowly feeds us information, toying with the confusion it creates as myth and history collide.”
The Guardian · Jan 20, 2022
“The show’s downfall comes with its attempts to bring the music up to date.”
The Guardian · Nov 17, 2021
“It’s incredibly smart, but there’s not quite enough heart.”
The Guardian · Jun 23, 2021
“Jones is a brilliant, dynamic writer, and this is a striking debut.”
The Guardian · Jun 11, 2021
“It's a great idea, charmingly done.”
The Guardian · May 21, 2021
“Stunningly funny and utterly charming, Holden is enchanting.”
The Guardian · Jan 22, 2020
“Though messy and, at times, uncertain, Scenes With Girls is a reminder that friendships deserve as much effort as romantic relationships.”
The Guardian · Sep 14, 2018
“The surrealism feels lazy and the humour is unsatisfying.”