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LS

Lisa Schwarzbaum

Reviews

16

Average

76

Highest

92

Lowest

42

221st most prolific critic·911th most generous scorer
SORT:
Lucky Guy

“That's a lot of juicy back story none of which saves Lucky Guy from its fate as a dull, stalled play about a not-particularly-noteworthy mug with a flair for self-promotion.”

The Anarchist

“David Mamet's new play The Anarchist is not so much a drama about specific people in a narrative arc as a short, brittle, stripped-down debate-club exercise on a stopwatch.”

The Mountaintop

“And then, toward the end, when we feel like we know everything, the playwright digs deeper and The Mountaintop somehow becomes more majestic, inviting each of us in the audience to join the ascent as we see fit.”

Jerusalem

“Gusts of national (or is it existential?) pride, fury, despair, and compassion blow through Jez Butterworth's galvanizing drama Jerusalem, imported to Broadway from London's Theatre with star Mark Rylance in brilliant blaze.”

Anything Goes

“This gorgeously crafted revival is simultaneously sly and sweet: The show's jokes at the expense of a celebrity-mad culture ought to jump out at a contemporary, reality-TV-glutted audience.”

Promises, Promises

“The actor is nimble, funny, likable, and much more asexually wholesome than one might expect given that his character has agreed to allow his philandering bosses to use his midtown apartment for trysts in hopes of securing a promotion.”

Race
42

“The shock is that the author elicits little more than a shrug once all the thrusts and parries, revelations and reversals are toted up.”

Passing Strange

“Passing Strange is a soul-stirring musical memoir about a young black artist's journey of self-discovery that pulses with the authentic voice of someone who has lived to tell his tale.”