Lovia Gyarkye

“It’s a testament to the subtle brilliance of Kimberly Belflower’s writing and Danya Tamor’s direction that you can hardly feel the 105-minute, no-intermission runtime of John Proctor Is the Villain.”

“Patriots, directed by Rupert Goold, is at its most narratively and politically compelling when it investigates betrayal, a terrain that allows Morgan to build out Berezovsky's inner life.”

“The confidence radiating from both performances keeps Topdog/Underdog, a play with a winking eagerness to elude meaning, light, electric and most of all funny.”

“Up until this point, the quippy, expletive-laced dialogue elicited laughs, but now the jokes grow redundant.”

“The production, which opens April 20, takes the task of revival seriously — it's a joy to witness.”

“Laurence Fishburne, Sam Rockwell and Darren Criss are sharp and lithe in this revival of the caustic 1975 play about three hustlers planning a heist.”

“MJ, a remarkable Broadway musical written by Lynn Nottage and directed and choreographed by Christopher Wheeldon, deftly probes this weighty topic.”

“Trouble in Mind does deliver a powerful message.”

“After the past several years, when public conversations about Blackness and masculinity have become more nuanced, Thoughts of a Colored Man can feel basic in its observations about both.”