Michael Giltz

“A second visit to A Doll’s House, Part 2 confirms this is a major play that can and will be staged again and again, finding new insights with new cast members and new approaches to the material.”

“Anyone with a serious interest in theater will appreciate the scope and intelligence on display but I fear they better act fast.”

“They simply do the play very well.”

“Like glass held up to the light, it’s shot through with intelligence and nuance and is all the more powerful for it.”

“Capturing a sport onstage is tricky and The Royale wisely goes for theatricality.”

“But Hughie--as the playwright suspected--is not quite workable as a stage piece.”

“But the music and lyrics by Kuo while moving the plot forward are rarely good enough to stand out on their own.”

“‘King Charles III’ is charged, exciting theater, and its star is, to borrow a phrase, every inch a king.”

“Director Evan Cabnet sticks with a plodding, inevitable approach from start to end.”

“So it's a pleasure to see four excellent actors tackle 1983's Fool For Love.”

“MTC is giving this Steppenwolf play a splendid production, courtesy of director Joe Mantello and a thoroughly winning cast.”

“But is it the subtle, engrossing, mysterious masterpiece that Mantel's novels deserved?”

“One of them is a happy surprise and the other is just sinfully shameless enough to get by on a wing and a prayer.”

“Everything about Significant Other is off and deeply confusing.”