Mashable

“But with a thin story and underwhelming spectacle, Paranormal Activity is bad omen for Broadway.”

“The Lost Boys: A New Musical is an astounding production.”

“All in all, Beaches is a profound disappointment.”

“Titanique has built the stage out, deeper into the audience and with steps, allowing the performers to come down to our level, racing up and down the aisles.”

“Simply put, Heathers: The Musical is a must-see.”

“More than any other word, I would describe it as dull.”

“I can happily note this smart, silly production remains just as easy to embrace.”

“It's a sensory overload that will have you hoping against hope that after all this time, your Hogwarts acceptance letter may still be just around the corner.”

“Irregardless, to borrow a phrase from Gretchen Weiners, Mean Girls on Broadway is a thrilling cautionary tale, bubbly and full of bite.”

“Directed by Stephen Brackett, the show is a technicolor, high energy swirl of buzzwords and ideas that a corporate boardroom thought might appeal to Today's Youth but miss the mark.”

“So, yeah, there are a lot of plates in the air, and despite the work of pros such as director Diane Paulus (Waitress, Pippin), it all winds up feeling pretty overwrought.”

“And while Kong the beast is magnificent, the show certainly isn't.”

“This is the best of what a jukebox musical can be: a thrilling burst of color and chorus and nostalgia and bold reimagining.”

“It's frothy fun and full of great tunes, babe, but you'd be forgiven for hoping there would eventually be a little, well, more to it.”

“The Shark Is Broken is a sensational night at the theater, especially if you're a Jaws fan.”

“It’s just too bad that the show, written by Katori Hall and directed by Phyllida Lloyd (Mamma Mia!), doesn’t live up to her performance.”

“Throughout all parts, Urie does an exceedingly stellar job at inviting viewers into his thoughts, drawing them in with measured looks and sly glances.”