On Off Broadway

“‘Sondheim on Sondheim’ is polished and well-intentioned, but it leaves you hungry for something more substantial and involving.”

“Though it offers many laughs and even a suitcase full of severed hands, ‘Behanding’ is surprisingly undeveloped, unedited and lacking in dramatic tension.”

“On purely musical and visual levels, ‘American Idiot’ reaches some exhilarating heights.”

“The end result is just as clever as it is irritating and unnecessary.”

“By the end of Lynne Meadow's effective production, you've gotten hooked.”

“By using Sinatra merely for decorative mood music, "Away" lacks the raw passion and youthful energy that made "Movin' Out' so stunning.”

“For the most part, Prebble cuts a clear narrative through this unwieldy terrain.”

“Michael Mayer's 90-minute production, which incorporates a bizarrely diverse songbook ranging from ‘Get Happy’ to ‘Killing Me Softly with His Song,’ makes for delicious entertainment.”

“Though enjoyable, this ‘Fences’ feels less like a substantial drama than a broad sitcom comedy stuffed with melodramatic shocks and awes.”

“Perfecting the comic timing and broad style required to stage the play is no easy task, and it shows that Tucci may have a future as a director ahead.”

“Whatever the case, it's one hell of a winner.”

“Sheryl Kaller's production showcases sensitive performances that capture the heart and sadness inherent in the play.”

“Sean Hayes is thoroughly adorable as Chuck Baxter, displaying great rapport with the audience and genuine comedic charm.”

“It turns out to be an engrossing look at Abstract Expressionist painter Mark Rothko.”

“It is truly our good fortune that the entire original English cast has traveled with the Max Roberts' detailed production to Broadway.”