Toby Zinman · Apr 9, 2026
“The production's star, Bobby Cannavale, dressed in tennis whites or a tuxedo, is not only miscast, but his current hot-stuff career gives the lie to the play's point.”
Reviews
45
Average
75
Highest
92
Lowest
19
Toby Zinman · Apr 9, 2026
“The production's star, Bobby Cannavale, dressed in tennis whites or a tuxedo, is not only miscast, but his current hot-stuff career gives the lie to the play's point.”
Toby Zinman · May 2, 2019
“This delightful musical comedy based on the beloved movie, manages to make the story of a man dressing up as a woman in order to get a job not only politically viable but wise.”
Toby Zinman · Apr 29, 2019
“This long, talky drama — juiced up with fancy lighting (Neil Austin) and startling moments of choreography (Lynne Page) — begins with the five W’s of journalism, basic to getting all the facts of a story: Who, What, When, Where and Why.”
Toby Zinman · Apr 4, 2019
“What also ensues is the madness that takes place on stage.”
Toby Zinman · Jan 14, 2019
“Check both boxes for Choir Boy.”
Toby Zinman · Dec 17, 2018
“A Mockingbird is a great American story, and this production at the Shubert Theater in Manhattan is a great work of American theater.”
Toby Zinman · Oct 27, 2017
“Basic to M. Butterfly is the duality basic to all theater — people pretending to be other people — a pleasure largely lost in the surprisingly dull revival.”
Toby Zinman · Oct 6, 2015
“This sleek and stylish British cast deepens the mysteries without ever solving them.”
David Patrick Stearns · Jul 17, 2015
“The score built around the title song is so functional you wonder if composer Smith was holding back to avoid detracting from its grand, climactic arrival.”
Toby Zinman · Nov 16, 2014
“And not only because it's deliberately ambiguous but also because it's great theater: great writing, great acting, great production.”
Toby Zinman · Apr 24, 2014
“It's a show so smart, so daring, so substantial that it manages to be wildly entertaining about fascism and anti-Semitism.”
Toby Zinman · Apr 6, 2014
“Realistic" is the tantalizing word in the title: Eno seems to be commenting on his flat, hyper-real style, suggesting that most of life is not interesting or even rational, and that rarely does anyone speak sensibly, much less in heightened language.”
Chuck Darron · Mar 14, 2014
“In other words, ‘Rocky’ is indeed a knockout.”
David Patrick Stern · Mar 14, 2014
“He carries the show effortlessly, boxes like a champ, and sings just as heroically.”
Toby Zinman · Jan 16, 2014
“The noirish dialogue is based on unrelenting repetitions and the didactic clichés of the era.”
Howard Shapiro · Sep 10, 2012
“In the new musical Chaplin, which is every bit as entertaining as Charlie Chaplin himself”
Howard Shapiro · Jun 14, 2012
“It's good and often silly fun, greatly enriched by Parson's performance.”
Howard Shapiro · Apr 26, 2012
“If the show offers any real revelation, it's that the playwriting does, too.”
Howard Shapiro · Apr 25, 2012
“Straightforward is the way ‘The Columnist’ goes, in Sullivan’s sure-footed direction, Auburn’s smooth narrative arc, and a sterling performance by John Lithgow, who makes a wonderfully nuanced Joseph Alsop.”
Howard Shapiro · Apr 24, 2012
“In that case, I'll say, it's theater that really works.”
Howard Shapiro · Apr 24, 2012
“Every detail in ‘Nice Work If You It’ is finely tuned and beautifully turned out.”
Howard Shapiro · Apr 23, 2012
“And there’s enough funny lashing to leave an audience happily smarting.”
Howard Shapiro · Apr 19, 2012
“‘Clybourne Park’ is the fiercest, frankest, funniest discussion of race I have seen on a stage.”
Howard Shapiro · Apr 18, 2012
“Whatever it is, I dare you to see it and not laugh out loud, a lot.”
Howard Shapiro · Apr 15, 2012
“Adults will enjoy its complex theatricality... Kids will follow it for its bizarre and hammy characters and its constant sense of adventure.”
Howard Shapiro · Apr 2, 2012
“Somewhere over the rainbow, Judy Garland never spotted her pot of gold. But a British actress named Tracie Bennett found hers - in the person of Judy. She is sensational in the erratic Broadway show End of the Rainbow, about Garland's last attempt at a comeback, which opened Monday night.”
Howard Shapiro · Apr 1, 2012
“This big-star cast worth a wide shelf of past Tony and Emmy Awards deserves a worthwhile play - and they have one.”
Howard Shapiro · Mar 29, 2012
“Newsies, which opened Thursday night on Broadway, is great fun, a rock-'em sock-'em American musical with all the trimmings, and an electrifying display that says, yes, formulas make sense when real artists make them work.”
Howard Shapiro · Mar 18, 2012
“Not a bad suggestion for the audience, either.”
Howard Shapiro · Mar 15, 2012
“Miller gives Death of a Salesman a muscular narrative arc, and this revival provides the intensity to flex it and strike.”
Howard Shapiro · Jan 26, 2012
“For Nixon's part, she doesn't perform as much as live the character; you get the feeling they've imported her from a real hospital ward, where she has walked and lived the talk.”
Howard Shapiro · Jan 12, 2012
“The delight in this production is that it seems to move along swiftly as something both new and old - taken on its own terms, as fresh as it is genuine.”
Howard Shapiro · Dec 11, 2011
“Well, you get the picture, even if audiences may find it spotty.”
Howard Shapiro · Nov 30, 2011
“Bonnie & Clyde is entangled in its own musical format, watering down the storytelling and, with it, the tension.”
Howard Shapiro · Nov 8, 2011
“Fiery, intense and so sexy you could sweat, the production of David Ives' new Venus in Fur, a sensation when it ran Off-Broadway last year, opened in a remounted production Tuesday on Broadway.”
Howard Shapiro · Nov 7, 2011
“I can argue over the potential of Godspell to be a piece of compelling theater, in any setting. But I can't take issue with this particular staging, so richly realized.”
Howard Shapiro · Nov 3, 2011
“Jon Robin Baitz has given them a terrific, insightful and often funny play, and they know just what to do with it.”
Toby Zinman · Oct 20, 2011
“Relatively speaking, Relatively Speaking is a bust.”
Howard Shapiro · Apr 28, 2011
Howard Shapiro · Apr 20, 2011
“It's all good fun and, in the end, not bad theology either.”
Howard Shapiro · Apr 8, 2011
“Broadway's winning new Catch Me if You Can gives you lots of reasons to love the musical, fashioned from Stephen Spielberg's 2002 film.”
“Ashford's meticulous production bulges with talent.”
Howard Shapiro · Mar 24, 2011
“In that, The Book of Mormon is the ultimate feel-good musical, and Broadway's genuine paradox.”
Howard Shapiro · Mar 22, 2011
“Leguizamo has an easy way with getting you involved in his life.”
Howard Shapiro · Dec 11, 2006
“Spring Awakening — the breathtaking discussion of what it means to grow up — will become both a high mark of the season and a landmark musical.”