The Upcoming

“Affluenza is, in a word, frustrating not just because of its complex storyline but ultimately due to the execution.”

“Hay Fever is brimming with wit, performed by a strong cast of comedic actors. A feel-good production with all the glamour – this Coward classic is full of joy.”

“This three-and-a-half-hour slinging match is sublime.”

“Ultimately, this portrait of a life seemingly ill-suited for broad-brush theatre makes easy work of the task against the odds.”

“Those who can push through will be rewarded with a brilliant production from start to finish.”

“Catarina and the Beauty of Killing Fascists confronts questions of political engagement and tactics of resistance head-on.”

“Ultimately, this is an accomplished, haunting revival, driven by its star turn but not permitting it to distract from the core message.”

“Darkling is a show that leaves plenty for viewers to ruminate on, especially as the world continues to spiral into the climate crisis and communities continue to be destroyed by capitalistic greed.”

“Million Dollar Quartet never dives deep into its plot and the audience never receives more than a few snippets of biographical information about the four stars, it nevertheless succeeds in delivering precisely what its audience wants.”

“It is this nuanced feeling that is beautifully conveyed in the equally heartbreaking and heartfelt message audiences take away from the show.”

“The play is, first and foremost, a terrifically enjoyable, big-hearted, fast-moving romp.”

“The Story is pacey, unpredictable and moving. Towards the end of the play, it spirals slightly out of control; however, the cast's absolute commitment maintains a level of watchability.”

“It might just be worth seeing for the two lead actors at the height of their on-stage and – as this production surprisingly proves – on-screen powers.”

“This is As It leaning into the comedy's strengths with plenty of joy, silliness and romance.”

“Its exploration of the significance of the unsaid within ‘polite society’ and humorous critiques of the suburban ‘bourgeois’ make for a timeless show that will both disturb and prompt laughter out loud.”

“With its sharpened script, superb cast and relentless silliness, About Spies proves this is a spy mission well worth revisiting.”

“The choreography itself (by Ebony Clarke) is playful and vibrant – the perfect accompaniment to The Queen of Funk’s soundtrack.”

“Tao of Glass is easy to recommend. It's a unique piece which defies classification or expectation, and is an easy success on all fronts.”

“This musical adaptation feels authentic to the original while also fleshing out Renton’s backstory.”

“The strongest criticism is that the play tries to do too much at once, which weakens its impact.”

“Allegra is a good bit of silly fun, but never really reaches beyond that.”

“Cyrano de Bergerac achieves something rare: it rejoices in the beauty of words and their ability to strike, to seduce and to soothe the heart.”

“A quartet of strong performances mine the material for all it has, and there may even be something to ponder come the conclusion.”

“The production’s greatest achievement is making someone this famous feel unexpectedly real.”

“The skilled direction and talented cast inject fun and vibrancy into this entertaining production.”

“High Society hits a sweet spot somewhere between uplifting and memorable, and will leave you humming the songs as you walk out into the night.”

“The production blends everything together, creating a tear-jerking story of the bond between human and animal.”

“Overall, Beetlejuice is a great show for both lovers of the original film and those just beginning to discover the wonders of this cult classic.”

“Grace Pervades is a lovely, well-balanced show, taking the interesting stories that happened just off stage and putting them on stage – in the most complimentary way possible.”

“The performances are all outstanding, and the teenage friendships are played with relatable tenderness and hilarity, with numerous laugh-out-loud moments throughout an uninterrupted one hour 50 runtime.”

“Even so, it remains an engaging revival with plenty of edgy humour and a still refreshingly odd premise.”

“A fresh reconceptualisation, Les Liaisons Dangereuses is a resplendent feat, leaving audiences with much to contemplate regarding contemporary sexual exploitation.”

“Katie Posner’s sharp direction keeps the action moving fluidly, ensuring the dialogue never loses energy while allowing the emotional undercurrents to bubble over at just the right moments.”

“Wild, witty, and pure joy (think Wilde on crack), this anachronistic production is not one to miss, leaving the audience splitting their sides with laughter, and it deserves all the stars.”

“The Great Gatsby is a technical marvel, meticulously choreographed and flawlessly conducted.”

“Some might long for a little more subtext and others might suggest the musical is a tad too long.”

“Genuinely enticing production that is great for all audiences”

“If there's one show to see this year, make it Operation Mincemeat; if there are two, make it Operation Mincemeat twice”

“Definitely a night of fun and a celebration of formidable women in history”

“This production and setting find the perfect expression of a strong storyline”