Onandoffbroadwaytheaterreviews · Apr 14, 2019
“The first act is a joy from start to finish...The second act, opens with a bizarre solo dance...I found it unclear, astringent, and musically atonal.”
Also writes for: Onandoffbroadwaytheaterreviews, DC Metro Theater Arts
Reviews
43
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77
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94
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41
Onandoffbroadwaytheaterreviews · Apr 14, 2019
“The first act is a joy from start to finish...The second act, opens with a bizarre solo dance...I found it unclear, astringent, and musically atonal.”
Onandoffbroadwaytheaterreviews · Aug 27, 2018
“Two attractive and talented stars and a first rate supporting cast telling a familiar story that is now attached to an uninteresting score may be enough for you.”
Onandoffbroadwaytheaterreviews · Aug 4, 2018
“Under Anna D. Shapiro’s assured direction, Armie Hammer, Josh Charles, and Paul Schneider have all fully inhabited their characters; and they emerge as a family, warts and all.”
Onandoffbroadwaytheaterreviews · Mar 16, 2018
“I found it amiable, accessible, and as nourishing as an ice cream soda; which is fine. But, except for the title song, memory of it does not linger long.”
DC Theatre Scene · Dec 13, 2017
“She belongs in this elegant environment, and this play deals with how she manages to assure her place in it.”
DC Theatre Scene · Dec 11, 2017
“It’s a clever trifle and easily dismissible.”
DC Metro Theater Arts · Nov 12, 2017
“Now he’s back on Broadway with his finest work to date — he’s written a score that has tremendous variety, melody, wit, and just plain intelligence.”
DC Theatre Scene · Aug 26, 2017
“Jason Robert Brown’s new anthem, “Do The Work” concludes the evening on just the right note, for it sums up the career of Harold Prince, who at 90 is still up there inspiring, mentoring, producing and directing, for which we owe him so much.”
DC Theatre Scene · Jul 7, 2017
“Marvin’s Room will be a rewarding place to be this summer.”
DC Theatre Scene · May 4, 2017
“Bandstand beat all the odds and breezed into town as the most refreshing and imaginative of the bunch of recent arrivals.”
DC Theatre Scene · Apr 30, 2017
“But presently the four songs from the film, written by Leslie Bricusse and Anthony Newly, walk off with honors as the best of the evening, as they’ve been resurrected for this outing.”
DC Theatre Scene · Apr 28, 2017
“Alas, Groundhog Day is not the musical to accomplish that.”
DC Theatre Scene · Apr 25, 2017
“His is a performance of size and scope that is, in a word, dazzling.”
DC Theatre Scene · Apr 20, 2017
“I respect what is up there onstage at Broadway’s Cort Theatre.”
DC Theatre Scene · Apr 19, 2017
“But there is no disguising that there was no way to make this musical into more than a star vehicle with wobbly wheels.”
DC Theatre Scene · Apr 17, 2017
“You will learn most of the facts involved, but I for one felt I was more in a classroom than in a theater.”
DC Theatre Scene · Mar 17, 2017
“We need honestly drawn stories of hope and good will to come from the stage, and they have been sadly lacking in recent seasons.”
DC Theatre Scene · Mar 15, 2017
“I do believe Arthur Miller would have loved this production.”
DC Theatre Scene · Jan 23, 2017
“Theatre Club’s Jitney is an unheralded masterwork that will stay with me along with a handful of other towering moments in my travels among the theatres of the world.”
DC Theatre Scene · Dec 16, 2016
“It can still touch us, make us laugh, make us reflect, and most interestingly, have something on its mind about the human condition.”
DC Theatre Scene · Dec 10, 2016
“Dear Evan Hansen is a major contribution to musical theatre and the Broadway season.”
DC Theatre Scene · Nov 18, 2016
“I just think another polish would have turned this into a total triumph.”
DC Theatre Scene · Nov 8, 2016
“As a result, the evening shimmers and sparkles, and manages the curve its story serves us with honesty and enormous pathos.”
DC Theatre Scene · Oct 28, 2016
“Once we get through all the expository material in Act One, the play picks up speed and doesn’t quit until the very last perfect final scene and last line.”
DC Theatre Scene · Oct 16, 2016
“Well, perhaps not — but it was a privilege to share it with them, to spend some time with two very human human beings.”
DC Theatre Scene · Oct 7, 2016
“That show was so totally audio that a stage production is senseless.”
DC Metro Theater Arts · May 1, 2016
“This production of Long Day’s Journey Into Night, under the very tight direction of Jonathan Kent, with an atmospheric set by Tom Pye that allows the New England fog to affect your mood, will send you out into the night after a nourishing and provocative theatrical experience.”
DC Theatre Scene · Apr 29, 2016
“It’s always satisfying and fun and exciting to discover a brilliantly talented comedian with star quality -like Jesse Tyler Ferguson-who is himself fully committed to knocking himself out for our pleasure.”
DC Metro Theater Arts · Apr 29, 2016
“But her performance in the very heavy book scenes is excellent, and she fights the inept writing of Jenna by always playing her for real.”
DC Theatre Scene · Apr 16, 2016
“As this play is conceived from the father’s point of view, it is in the end saved by the richness of Mr. Langella’s work.”
DC Theatre Scene · Apr 7, 2016
“"Van Hove has taken a powerful script and infused it with visions of his own...His cast is powerful and commanding...It has power but I believe it would have more if it were less blunt.”
DC Theatre Scene · Mar 31, 2016
“I’ve noticed that I’ve been leaving the theatre lately feeling the glow that only an affirmative musical like Bright Star can instill, as in days of old.”
DC Metro Theater Arts · Mar 14, 2016
“I recommend this clearly sincere play to anyone interested in learning more about this underworld activity which becomes only more graphic when put before us on a stage.”
DC Theatre Scene · Jan 17, 2016
“I think you’ll find it on 42nd Street by visiting Michael Frayn’s irreverently funny farce.”
DC Theatre Scene · Nov 20, 2015
“I was always involved, and willing to wait as the set turned once again from bedroom to hallway to living room to the exterior.”
DC Theatre Scene · Nov 1, 2015
“Sylvia is a fanciful but slight dessert sort of a play, so have yourself a satisfying meal before ordering it up.”
DC Theatre Scene · Oct 30, 2015
“For a pleasant two hour visit with a score that never even tries to be original, and with six eager and talented singers-dancers-actors, you can have a jolly time at the Theatre.”
DC Theatre Scene · Oct 17, 2015
“It will add years to your life.”
DC Theatre Scene · Oct 13, 2015
“Fool for Love is a bright example of Sam Shepard at his best, and if you’re not familiar with his work, this production is a ‘must-see.’”
DC Theatre Scene · Oct 9, 2015
“You’re not likely ever to see this play more beautifully done than here and now.”
DC Metro Theater Arts · Apr 14, 2015
“By the time it was over, It Shoulda Been You had gained my respect, and I found I’d had a most enjoyable time.”
“I had a fine time watching it build and grow.”
“The musical material offered them is serviceable but not particularly distinctive.”