Vera Liber

“Emily Burns has directed a solid production that still needs time to bed in, which it will: the famous and talented cast is enough to pull punters in.”

“A groan-worthy sitcom full of innuendo, a farcical comedy of manners and the absurd.”

“Dense, profound, a lecture with stage play and comedy to help it go down, Tao of Glass is a delight, but you must stay alert.”

“He is tremendous, the thrilling centre of a raucous yet touching production.”

“Dazzling Sinatra the Musical is in the intimate Aldwych, this personal story so much better here than in a large arena.”

“A winding, precisely plotted script, with philosophical overtones, is laugh-out-loud funny.”

“Serious, playful, teasing, Arcadia is pure alchemy, turning erudition and research into theatrical gold.”

“Ostensibly a tragi-comedy, Woman in Mind falls between the two stools into that hyphen.”

“A piece of music, in three acts or movements, played by a brilliant ensemble with vivacity, rhythm, fine timing and tone.”

“As is going to see this refreshed production: the venue suits it better this second time round.”

“A touching play, a timeless play played with perfect timing, The Weir is a must-see. Five-star quality all round.”

“A slight premise taken to amusing heights by performances that lift it to another level.”

“Two and a half hours of tedious hoofing and banal glamour, a band and singer entertaining the freeloaders all the way to hell, a foghorn the metaphor that opens the show.”

“Trafalgar Theatre has a polished gem on its hands.”

“Escapism we need, too, but it doesn't warrant the ticket prices—poof and it's gone. It's a blancmange.”

“And that’s the problem, there are several plays struggling to get out.”