William Wolf

“Some of the cast members are good, but the production lacks distinction.”

“The super-loud electronically oriented pop music and mostly witless lyrics are by Joe Iconis, and the book about high school angst by Joe Tracz is baed on Ned Vizzini’s novel.”

“Here is another case in which the performances exceed the caliber of the play...the play abounds in plot clichés, seems overlong...and abounds in predictable situations.”

““van Hove’s direction...is spot-on and exciting. Making the most of the star performance by the terrific Cranston, The director has done a spectacular job of staging this National Theatre production...What van Hove has accomplished is creating a lively, busy and frequently hectic television studio atmosphere...It all has a dynamic effect...”

“There's little depth to the book as it attempts to span developments in Cher's life and career.”

““American Son” is a chilling play for now and in the future.”

“The wittiest musical to brighten Broadway this season...Fun-filled and packed with entertainment blending with the underlying sincerity.”

“May is triumphant in her dramatic venture, displaying remarkable acting talent at a new level...It is one of the season's performances not to be missed.”

“The fun comes in the collection of the oddball characters and the very amusing writing by Bean, who gives them often-hilarious dialogue to spout and zany situations in which they are placed.”

“What gives the show some oomph despite the inherent flaws are some dynamic numbers.”

“Overall the musical “Pretty Women” provides much entertainment as a Broadway entry more attuned to potential popularity than to art.”

“The play becomes riveting despite its contrivances and unanswered questions.”

“This is one of O'Neill's major works, and it is rewarding to see it performed anew, especially with Washington making his bid to make the renowned role his own.”

“Rashad touches our hearts...The production is filled with worthy performances.”

“A rollicking good time with an intellectual perspective wrapped in theater of the absurd.”

“It is an up-to-date example of striving for and achieving perfection in reviving a musical theater classic.”

“The result is strong appeal for those who have never seen 'Carousel', as well as for those who have.”

“Even a skeptic glad to be far removed from the doings depicted can admire the cast and the staging alive with Broadway expertise.”

“And none of them can participate in the simplest exchanges of words without doing serious damage.”

“"Mantello demonstrates that he understands the play perfectly and that he knows how to make the staging sharp, as well as knowing how to highlight the performances of his special cast. Thus this production is an excellent revival, and an example of theater at an exceptionally mature and entertaining level.”

“"Designed to appeal to fans of the film with the extra kick of a stage spectacle...I didn’t much care for the story in the film, and it is just as absurd here. But the production provides the necessary sparkle, and although the second act is too long...”

“Mostly, it is the expertise of the three cast members that keeps us glued.”

“"One smashingly executed number after another, variously performed by a versatile cast of nine...The effect is often electric. The show is quite elaborate for this relatively intimate staging...Rarely can one find such a compendium of musical favorites in one production, which offers treat after treat as we go down memory lane with Prince...”

“An unusual—and enjoyable—Broadway theater outing...the time breezed by as Moore held firm command, veering from immensely entertaining and often hilarious segments.”

“The genius of this production, which I regard as the best new musical of the season, is that from the very beginning a skilled group of 12 actors thrillingly take on assorted roles.”

“Her trajectory is interesting to ponder, which makes the play all the more fascinating.”

“Although it could use some serious trimming, Vogel's play with music is excitingly staged under Rebecca Taichman's direction.”

“"The music by Scott Frankel and lyrics by Michael Korie work best when sung by the stars, and director Michael Greif has worked hard to keep up a pace in a show that seems over-extended...”

“If you want to see a particularly unusual show, head for the Imperial.”

“The cast is top-flight, and director Lapine has staged it smartly, with solid input by choreographer Spencer Liff.”

“An uproariously funny Broadway staging that expertly captures the work and the period, thanks to a mighty cast, and director Jack O'Brien's super-smart staging.”

“There is no uncertainty that this is a captivating play offering two highly appealing performances.”

“In the hands of worthy performers and with an excellent orchestra conducted by Andy Einhorn, “Holiday Inn” is welcome fun.”

“No question about it—this is Broadway’s unique show at the moment.”

“This is above all a spectacle with appeal to those who get theatergoing kicks from costumes, lighting, cast members roaming the aisles to sing to spectators, and assorted scenic stunts.”

“"'The Crucible' is inherently such a powerful play that its strength comes through even when director van Hove gets his hands on it...”

“Farce requires exceptional expertise, which is certainly there in full steam in the wonderfully-cast revival of 'Noises Off.'”

“The power of the show speaks for itself, as art should, and an aware audience can make the connection without the need for a contrived exclamation point.”