Best Broadway Shows of the 2010s (2010-2019)
The 2010s were a transformative decade for Broadway, bringing groundbreaking productions like Hamilton, Dear Evan Hansen, and Book of Mormon. These 30 shows defined an era of theatrical innovation.
30 shows | Last updated: October 2026
How We Rank
Rankings are based on CriticScore, an aggregate of professional reviews from 400+ outlets including The New York Times, Vulture, and Variety. Top-tier outlets carry the most weight in the composite score. Each show needs a minimum number of reviews to qualify. Scores are recalculated weekly. Learn more about our methodology.
Critics hail Hamilton as a groundbreaking masterpiece that revolutionizes the Broadway musical through hip-hop storytelling. Miranda's audacious, electrifying work about the Founding Father earns near-unanimous raves for its innovation and artistry.
John Tiffany's stunning revival breathes fresh magic into Williams' classic, with critics hailing an extraordinary ensemble led by Cherry Jones and Zachary Quinto. Most find it transfixing and revelatory, though a few consider it merely fine rather than divine.
Critics hail this authentic Elizabethan-style production as thrilling and joyful, with Mark Rylance delivering masterful work. The all-male staging feels revelatory rather than gimmicky, offering a deeply satisfying theatrical experience.
Critics unanimously praise this intimate, unconventional musical as a quiet masterpiece, lauding Yazbek's exquisite score, Shalhoub and Lenk's performances, and Cromer's sensitive direction for creating a beautifully restrained meditation on human connection.
This shattering 50th anniversary revival proves Albee's masterpiece hasn't aged, with brilliant performances from Letts and Morton delivering raw emotional devastation in an immediate, unflinching production that cuts deeper than ever.
Kushner's epic masterpiece returns to Broadway in a transcendent revival that feels urgently relevant 25 years later. Critics hail the production's magnificent staging and powerhouse performances, particularly praising Garfield and Lane in this essential theatrical event.
Critics hail "The Book of Mormon" as a hilarious, brilliantly crafted musical that's both outrageously offensive and surprisingly sweet, with sharp songs and expert staging that surpass recent Broadway satires.
Critics praise this Roundabout revival as a near-perfect production of Wilde's timeless comedy, with Brian Bedford's nuanced, non-campy Lady Bracknell earning particular acclaim alongside the accomplished cast's playful performances.
Critics hail this National Theatre import as hilariously funny, with James Corden's virtuosic physical comedy anchoring Nicholas Hytner's expertly staged farce that balances meticulous planning with anarchic spontaneity.
Critics hail this Broadway debut of Albee's Pulitzer winner as a theatrical triumph, with Glenda Jackson's "mesmerizing" return after 30 years leading a "superb" ensemble alongside Metcalf and Pill in Mantello's "exquisite" production.
Critics hail this Roundabout revival as enchanting and nearly perfect, praising its charm, sophistication, and ideal casting led by Benanti and Levi. A few find it slightly precious, but most consider it a consummate romantic musical.
Critics hail Butterworth's epic Irish family drama as a sprawling masterpiece, with most praising its rich storytelling, superb ensemble cast, and Mendes' direction. A few find it overlong or heavy-handed, but the consensus celebrates thrilling, vital theater.
Critics hail Fun Home as a groundbreaking, emotionally devastating musical that brings blazing originality to Broadway. Tesori and Kron's adaptation of Bechdel's memoir earns widespread praise for its sophistication and heart, though a few find it overhyped.
Critics hail this Broadway premiere as a triumphant completion of Wilson's cycle, praising Santiago-Hudson's direction and the outstanding ensemble cast. The production vividly captures Wilson's poetic realism and working-class characters with depth and authenticity.
Lincoln Center's sumptuous revival earns widespread acclaim for its breathtaking production values, Kelli O'Hara's ravishing performance, and Bartlett Sher's respectful yet emotionally resonant direction of the Rodgers and Hammerstein classic.
Kramer's searing AIDS drama remains a powerful, urgent piece of political theater that hasn't lost its raw emotional impact after 25 years. Critics praise the passionate performances and visceral punch, though some note its agitprop style shows its age.
Critics hail this intimate musical as extraordinary and emotionally powerful, praising Ben Platt's astonishing star-making performance and the smart handling of teen suicide and social media, though some question its tidy resolution.
Baitz's family drama earns strong praise for its crackling dialogue and riveting performances, particularly Rachel Griffiths' knockout Broadway debut. Critics find it smart, entertaining, and emotionally penetrating despite familiar territory.
Critics rave about this dazzling Harlem Renaissance revue, praising its exuberant choreography, sparkling performances, and especially the superb 17-member jazz orchestra hand-picked by Wynton Marsalis that brings authentic swing to Broadway.
John Doyle's stripped-down revival transforms the 2005 musical into a powerful, emotionally devastating experience, with critics hailing Cynthia Erivo's transcendent Broadway debut as Celie and praising the production's minimalist focus on character and gospel-infused score.
Critics praise this "riveting" revival of Hellman's classic, with Linney and Nixon's role-switching lauded as a "fascinating" theatrical experiment. Sullivan's direction and the entire cast earn acclaim for bringing fresh vitality to the Southern family drama.
Logan's intellectually stimulating two-hander about Mark Rothko draws mostly strong praise for its ideas and Molina's commanding performance, though some critics find it clichéd and more talk than drama.
Critics hail Karam's family drama as a fresh, deeply felt portrait of middle-class anxiety that transforms a familiar Thanksgiving gathering into something haunting and profound, elevated by exquisite performances and Mantello's direction.
Critics hail this irreverent, profanely funny comedy about a demonic sock puppet as a subversive triumph, praising its dark wit and Steven Boyer's manic performance, though some find it overstretched for Broadway.
Critics hail this lavish revival as a joyous Golden Age musical done right, with Bette Midler delivering a career-defining performance perfectly matched to the role. Bernadette Peters earns equal praise as her successor, bringing warmth and Broadway polish to the production.
Critics hail this Royal Shakespeare Company import as a dazzlingly inventive, intelligent musical that captures Roald Dahl's dark wit. Praise centers on Tim Minchin's clever lyrics and Matthew Warchus's imaginative staging, appealing to both children and adults.
Critics praise the spectacular stagecraft and astonishing illusions, calling it a theatrical marvel that brings magic vividly to life. Some find the story overstuffed or the runtime excessive, but most agree it's a dazzling, emotionally resonant experience.
Critics hail this "dazzling" and "exultant" Stoppard revival as intellectually stimulating and wickedly funny, with Marber's direction bringing propulsive energy to the dense wordplay. A few find it overly cerebral, but most deem it a triumphant must-see.
Critics praise this all-male Shakespeare's Globe production for its authentic Elizabethan staging and Rylance's thrilling performance, calling it a refreshing return to basics that reveals profound new insights into a familiar play.
Critics hail Schreck's genre-defying civics lesson as timely, ingeniously structured, and deeply moving, praising its blend of personal memoir and political urgency. A few find it overly constructed or preachy, but most call it essential theater.