Alex Simmons

“With sharp comedic turns, Human Things turns a remote island, an approaching storm, and two troubled marriages into an affecting night of theater.”

“The Saviors is a compelling drama that wrestles with faith, tradition, trust, and trauma.”

“Anthony’s performance captures Lenny’s urgency while taking moments to recognize the absurdity of being dragged into court over words, and struggling with being denied a chance to perform his act in court.”

“Campy, over the top, and utterly ridiculous, Bigfoot! follows in the tradition of hilarious musicals like Evil Dead or Avenger.”

“The Monsters is a layered, emotionally muscular play powered by two formidable performances and technical flair that matches a script full of duels and drama alike.”

“And how do we get it back?” That’s one of the questions posed about the condition of gender equality in 2025. America at the start of Liberation, Bess Wohl’s vivid new memory play that brings the 1970s women’s movement roaring back to life at the James Theatre.”

“Come for the catchy songs, stay for the ballroom extravaganza, and remember that while the cast may be extravagant and constantly one-upping and over-the-topping each other, it’s not a feature or a bug, it’s the whole point.”