BroadwayWorld · Jun 26, 2026
“The poetic rhythm of the play is simply exquisite, seamlessly flowing from verse to prose.”
Also writes for: London Theatre
Reviews
20
Average
80
Highest
98
Lowest
55
BroadwayWorld · Jun 26, 2026
“The poetic rhythm of the play is simply exquisite, seamlessly flowing from verse to prose.”
BroadwayWorld · Jun 9, 2026
“It’s a shame that the outcome is so scattered, as there’s plenty of engaging thought in it.”
BroadwayWorld · Apr 21, 2026
“It marries provocation with emotional intelligence, presenting its arguments in a fresh light and therefore instigating a new line of thought in its public.”
BroadwayWorld · Apr 1, 2026
“It’s clever and original, making this an utterly thrilling vision.”
BroadwayWorld · Mar 27, 2026
“It’s socially engaged contemporary theatre at its best.”
BroadwayWorld · Dec 12, 2025
“It entertains, but the pacing is slightly too slow for it to be full-on engaging.”
BroadwayWorld · Nov 22, 2025
“Each element of the mise-en-scène works perfectly in tune with the other, delivering a simply arresting theatrical event.”
BroadwayWorld · Oct 22, 2025
“Walker’s performance takes no prisoners, thoroughly unconcerned with the opinion of others.”
BroadwayWorld · Sep 14, 2025
“This captivating hour-long experiment lets the spectator have full agency when it comes to its interpretation.”
BroadwayWorld · Sep 2, 2025
“Born With Teeth may often be transparent and rather imperfect, but it's thrilling entertainment.”
BroadwayWorld · May 19, 2025
“This is an exceptionally well made, highly addictive drama.”
BroadwayWorld · May 2, 2025
“A bold, provocative, and thoroughly gripping piece of theatre.”
BroadwayWorld · Oct 16, 2024
“It's a delectably tragic and exquisitely horrifying piece of theatre.”
BroadwayWorld · Sep 20, 2024
“This Godot is a bitter tragicomic farce, deeply philosophical but also genuinely funny.”
BroadwayWorld · May 9, 2024
“It’s a materialisation of Miyazaki’s genius more than an adaptation: it’s event theatre at its best.”
BroadwayWorld · Mar 18, 2024
“This iteration may not have the same verve as when Day was in the role, but allows more audience in and does the job smoothly.”
BroadwayWorld · Jan 18, 2024
“It's a fun and gimmicky queer-affirming semi-comedy that makes for a good night out if you're willing to close an eye here and there.”
BroadwayWorld · Oct 19, 2023
“It’s a delightful project with plenty of opportunities for reflection, but it largely lacks the emotive substance of the original material.”
BroadwayWorld · Oct 13, 2023
“It's funny, sarcastic, satirical, thought-provoking, informative, original. It has it all - except for a truly great ending.”
BroadwayWorld · Sep 22, 2023
“Genuine hilarity goes hand-in-hand with arresting depth, generating an exceptionally eclectic and relentlessly engaging piece of theatre.”