People · Apr 26, 2026
“The cumulative effect is undeniably exciting. Mainstream audiences will likely feel they are seeing an event.”
Also writes for: People, Entertainment Weekly
Reviews
29
Average
78
Highest
96
Lowest
39
People · Apr 26, 2026
“The cumulative effect is undeniably exciting. Mainstream audiences will likely feel they are seeing an event.”
People · Apr 23, 2026
“It just misses the transgressive thrill that has kept the material alive for generations.”
People · Apr 22, 2026
“As it stands, though, this Beaches is washed-up.”
People · Apr 20, 2026
“This is a show made by people who clearly love musicals, for audiences who do too.”
“Those going to A Beautiful Noise want to be entertained and entertained they will be.”
Entertainment Weekly · Oct 14, 2022
“Richardson Jackson clearly knows how to direct actors and pulls magic out of her cast, creating a production worthy of August Wilson's legacy.”
Entertainment Weekly · Apr 26, 2022
“What Jackson has created with A Strange Loop is nothing short of astounding.”
Entertainment Weekly · Apr 10, 2022
“It's hard not to wish Haidle had used that time to adjust some of the play's ingredients.”
Entertainment Weekly · Mar 14, 2019
“Porter’s wit still shines through in his score.”
Entertainment Weekly · Nov 1, 2018
“Michael Urie establishes himself as a fearless and compelling leading man — delivering a master-class in physical comedy and dramatic authenticity”
People · Apr 23, 2018
“This kind of magic, after all, can’t be missed.”
NBC New York · Jul 11, 2017
“The audience responded as if they were at a rock concert — making it one of the most exciting and satisfying experiences I've had in a Broadway theater in years.”
NBC New York · Apr 24, 2017
“Broadway's got a bright new star, and her name is 'Anastasia.' The 1997 beloved animated movie has been transformed into a magical new stage musical, now open at the Broadhurst Theatre, with a much-improved book by Terrence McNally, added songs from the film's composers Stephen Flaherty and Lynn Ahrens, and a star-making performance by actress C...”
NBC New York · Apr 18, 2017
“This is a play about, among other things, the power of theater and the tragedy of art being forgotten in time.”
NBC New York · Dec 1, 2016
“Despite the best efforts of its cast and creative team, this once-exciting story comes across stale and banal.”
NBC New York · Nov 20, 2014
“It's a transfixing performance.”
NBC New York · Oct 23, 2014
“It's easily the most impassioned dinner scenes on Broadway since 'August: Osage County,' and one that playwright Akhtar crafts beautifully.”
NBC New York · Oct 16, 2014
“His time with the piece has clearly been well spent, and his keen eye for pacing and comedy makes the often dated material and setups feel fresh and bright.”
NBC New York · Apr 24, 2014
““Cabaret” is a seductive piece of theater, beautifully designed and with stellar performances throughout.”
NBC New York · Apr 20, 2014
“You’ll feel as though you’re witnessing a star being reborn, 18 years into her career.”
NBC New York · Apr 17, 2014
“Instead of an inspiring account of talent and tenacity, Lapine's “Act One” is a bland story that fails to put Hart’s life into perspective.”
NBC New York · Mar 30, 2014
“When Menzel sings, all problems with the book simply disappear. She's why you're there, and it's hard to imagine how the show would survive without her.”
NBC New York · Mar 20, 2014
“In fairy tales, we automatically believe the stakes are high - it just would have been nice to have that threat feel a little more dire. But then again, this is a musical comedy, and in that sense, 'Aladdin' is exactly what you wish for.”
“You're there to see Kroll and Mulaney's masterful take on the Faizon and St. Geegland — two incredibly nuanced and well-rounded characters who manage to be wildly offensive and incredibly loveable at the same time.”
“Those who saw the original 1997. Broadway production might see Condon's 'Side Show' as more of a reworking than a revival...Many of the changes work, especially new numbers like 'Ready to Play' and 'Stuck With You,' which present Violet and Daisy at their vaudeville-best...But there are problems...”
“It’s a question that hits hard, and one of the many tender moments in the 90-minute play that will rattle you to your core.”