New York Stage Review · Apr 26, 2026
“And while none are fatal, there are enough to keep The Lost Boys from achieving that one thing vampires and Broadway musicals desire more than anything else – eternal life.”
Also writes for: New York Stage Review
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New York Stage Review · Apr 26, 2026
“And while none are fatal, there are enough to keep The Lost Boys from achieving that one thing vampires and Broadway musicals desire more than anything else – eternal life.”
New York Stage Review · Apr 16, 2026
“And so will everyone else who comes to see this stunning revival.”
New York Stage Review · Apr 7, 2026
“Trip Cullman directs this gem of a play with the precision of a jeweler’s blade.”
New York Stage Review · Mar 31, 2026
“And while it may be unfair to compare them, those of us who know the film well are likely to feel the play falls short of expectations.”
New York Stage Review · Oct 28, 2025
“When Bess Wohl’s play Liberation premiered off-Broadway last winter it was revelatory. Despite some structural weaknesses that remain, it’s a beautiful work featuring an ensemble of actors at the top of their game. It’s no wonder the production transferred to Broadway totally intact.”
New York Stage Review · Oct 16, 2025
“Revived once again by Lear DeBessonet following last year’s outstanding City Center concert version, this nearly flawless Theater production ranks among Broadway’s best of all time.”
New York Stage Review · Jun 12, 2025
“Smart brings the character to vivid life but she can only do so much to engage the audience when the writing falls short.”
New York Stage Review · Apr 27, 2025
“Put it all together and you have one spicy Mexican feast of a show – as savory as a hot tamale, smooth as flan and irresistibly tasty as a deep-fried churro.”
New York Stage Review · Apr 10, 2025
“It’s overstuffed with silliness like that, and Susan Stroman, who usually has some clever tricks up her sleeve, isn’t able to rein this one in.”
New York Stage Review · Mar 31, 2025
“That misstep aside, the production remains highly entertaining.”
New York Stage Review · Mar 27, 2025
“It is a wondrous merging of technical wizardry, clever stagecraft and incomparable artistry.”
New York Stage Review · Mar 23, 2025
“As many times as I’ve seen the play, Washington’s take on Othello’s spiraling downfall puts an indelible stamp on the tragic role.”
New York Stage Review · Jan 23, 2025
“For some, it will feel slow and you might even say the style is an acquired taste.”
“As bio-musicals go, A Wonderful World doesn't break any new ground, and the book by Aurin Squire is pretty much by-the-numbers, hitting most of the highs and lows spanning 70 years in Armstrong's storied career.”
New York Stage Review · Sep 30, 2024
“It's a gorgeous collaboration marrying technology, the spoken word, performance, story and stage craft all in one cohesive design.”
New York Stage Review · Apr 26, 2024
“Illinoise is a wonderfully collaborative effort that raises the ‘barre’ for Broadway musicals moving forward.”
New York Stage Review · Apr 18, 2024
“Aside from all that, dramatically speaking, it’s just that good!”
New York Stage Review · Apr 11, 2024
“The Outsiders is an emotionally and viscerally satisfying work.”
New York Stage Review · Mar 14, 2024
“Even with all that first class talent, The Notebook could have done more to earn the love.”
New York Stage Review · Jan 9, 2024
“Criticisms aside, The French Republic is a must see for anyone who’s interested in deepening their understanding of the Jewish experience through the ages.”
New York Stage Review · Oct 12, 2023
“Gad and Rannells are simply divine delivering a master class in musical comedy and likely setting a land/speed record for laughs per minute.”
New York Stage Review · Apr 26, 2023
“They’re stuck in a barebones boy-meets-girl scenario that doesn’t allow for any real emotional investment.”
New York Stage Review · Apr 24, 2023
“Good Night, Oscar is a captivating work, as hysterically funny as it is heartbreaking.”
New York Stage Review · Apr 12, 2023
“Without apologies to the purists, it is a modern classic in its own right.”
New York Stage Review · Mar 30, 2023
“Like them, Life of Pi does a phenomenal job of creating a sense of realism with extraordinary stagecraft.”
NY1 · Feb 20, 2020
“It’s not tragic — it still sounds gorgeous — but this is a director’s cut that loses more than it gains.”
NY1 · Jan 23, 2020
“Back and forth the play goes—sometimes silly, sometimes deadly serious.”
NY1 · Jan 21, 2020
“After some 40 years, ‘A Soldier’s Play’ still hits home, summoning a world at war with itself.”
NY1 · Dec 5, 2019
“It is an emotionally rich, beautifully enacted evocation of the conflicting ironies of contemporary life.”
NY1 · Nov 21, 2019
“Their effortless professionalism adds the spice to this heartwarming treat of a show.”
NY1 · Nov 17, 2019
“'The Inheritance' speaks to us on so many levels - politically, intellectually, and emotionally. If it rambles, it is an echo of our messy lives but it so clearly addresses the rootlessness that plagued the gay community for years.”
NY1 · Oct 18, 2019
“But it feels far more literary than theatrical and I think, in the end, even with Parker's superlative performance, ‘Inside’ is more suited to being read than seen or heard.”
NY1 · Oct 15, 2019
“It's a testament to the two stars that despite the production's shortcomings, they make it all worthwhile.”
NY1 · Oct 10, 2019
“‘Linda Vista’ turns out to be an engaging, if flawed, portrait of a modern day everyman who's incredibly smart on the one hand while behaving so inexplicably dumb on the other.”
NY1 · Oct 1, 2019
“If the play feels overstuffed, it’s still an important history lesson.”
NY1 · Aug 9, 2019
“The words alone are enough to transport you to that ominous sea wall where tragedy inevitably strikes.”
NY1 · Jul 26, 2019
“With tongue in cheek and heart in hand, not to mention assorted other body parts splitting, contorting and can-canning up a storm, ‘Moulin Rouge’ is a jukebox musical on steroids.”
NY1 · May 30, 2019
“Frankie and Johnny may be catnip for actors, but I question the decision to revive this play.”
NY1 · Apr 25, 2019
“For all the talent here, the show suffers from sensory overload.”
“'Tootsie' is quite a hoot. On the surface, it's a conventional musical...But it's unconventionally funny. And thanks to an A-list cast of comedians, it's the comedy that makes this one sing...Yazbek's score is still mighty clever and tuneful. His lyrics are a gas, and the inside theatre references are a terrific bonus...”
NY1 · Apr 23, 2019
“As written, directed and performed, it's as devastating a scene as you're ever likely to see on a Broadway stage.”
NY1 · Mar 30, 2019
“The bottom line is that Schreck is highly entertaining, all the while engaging us with equal measures of humor and pathos.”
NY1 · Mar 14, 2019
“O’Hara deserves a thousand kisses along with our eternal worship for gracing us with two and a half glorious hours in this altogether wunderbar production.”
NY1 · Dec 4, 2018
“Mastering Cher's off-handed humor, her laid back put-downs, and most especially, her throaty vocals, she is an absolute marvel in the exhausting role.”
NY1 · Nov 11, 2018
“Birbiglia, self-described as a cross between Matt Damon and Bill O'Reilly, is a masterful humorist with a knack for making the most serious subjects hilarious.”
NY1 · Nov 4, 2018
“If the elements tie together a bit too neatly in the story, Demos-Brown does an excellent job of drawing us in to the conundrum of race in America.”
NY1 · Nov 1, 2018
“On stage, most of the two and a half plus hours, he takes us laughing and crying on an emotional journey that will leave you ragged and raw.”
NY1 · Oct 25, 2018
“So very true, and yet we do hear it throughout ‘Waverly Gallery,’ a play that delivers the hard truth about aging with eloquence and empathy.”
NY1 · Oct 22, 2018
“‘The Ferryman’ stands out as a classic all on its own!”
NY1 · Oct 18, 2018
“And while the work strives to be even-handed, it's clear the playwrights are more sympathetic to Jim's side of the debate. Daniel Radcliffe plays the unrelenting noodge to perfection. And when the two go at it, Bobby Cannavale's arch sense of entitlement as John makes for a most compelling dynamic.”
NY1 · Sep 25, 2018
“While topically resonant, ‘Bernhardt/Hamlet’ is dramatically inert.”
NY1 · Aug 16, 2018
“In truth, the singing is all well and good, but considering the evolution of gender politics over the last 30 years, ‘Pretty Woman’ today comes off pretty tone deaf.”
NY1 · Jul 26, 2018
“A cockamamie mish mash of disparate elements that at best is a high-energy goofball of a show and at worst, well...see for yourself...If you're willing to suspend your disbelief, under Michael Mayer's spirited direction, there's so much good-natured talent on the stage you may just give in to the frivolity...”
NY1 · Jul 24, 2018
“That may be the best message of all: Straight white guys, make room — a new group has arrived.”
NY1 · May 31, 2018
“1968 was a momentous year for so many reasons. But one event that escapes most historical retrospectives was the premiere of what’s largely considered the first play about gay men in America.”
NY1 · Apr 26, 2018
“Fortunately with George C. Wolfe and his superlative company to guide us through, we've got a match made in theatre heaven.”
NY1 · Apr 25, 2018
“It's a respectable performance of a very demanding role — just not quite the transcendent portrait the role demands.”
NY1 · Apr 25, 2018
“It's quite possible that you're going to be hopelessly lost in 'Travesties.' And that's why a guide in your Playbill will be essential reading.”
NY1 · Apr 22, 2018
“Tiffany is a wizard himself, navigating the emotional terrain with his own theatrical magic.”
NY1 · Apr 21, 2018
“He put a subtle but indelibly relevant stamp on Lerner and Loewe's masterpiece, and the design team's gorgeous sets, costumes, and lights add the perfect icing to this delectable cake.”
NY1 · Apr 11, 2018
“Time has not been kind to this Tony-winning drama.”
NY1 · Apr 8, 2018
“Happily, this time around, a first-class collaboration puts us in the company of ‘Mean Girls’ you will love to hate.”
NY1 · Mar 30, 2018
“Glenda Jackson's peerless portrait makes 'Three Tall Women' an unqualified triumph.”
NY1 · Mar 26, 2018
“Chris Evans, famed as Captain America in the movies, does a complete about-face in his Broadway debut as a sexist pig with an inflated ego, and he is wonderful.”
NY1 · Mar 24, 2018
“‘America’ is intellectually and emotionally rewarding.”
NY1 · Mar 16, 2018
“And they should be most pleased with this rendering, which exuberantly transports audiences on a satisfying high from start to finish.”
NY1 · Mar 2, 2018
“Regardless of your stage in life, Dear Evan Hansen will touch you in ways you probably never expected.”
NY1 · Jan 12, 2018
“But even the best literature has limited appeal to a mainstream theatre audience.”
NY1 · Dec 13, 2017
“Playwright Kirkwood seems to agree; it's the deceptive ordinariness of it all that makes ‘The Children’ so deeply unnerving.”
NY1 · Dec 5, 2017
“That aside, if you're up for a little anarchic fun, dive right in.”
NY1 · Dec 3, 2017
“From the set, complete with a body of water, to the phenomenal ensemble, every piece of this production pulses with an organic exuberance that's impossible to resist.”
NY1 · Nov 30, 2017
“Don't expect to find any big message here; ‘Meteor Shower’ is best appreciated as a deliriously nutty 80-minute sketch featuring a starry collaboration of some of our finest comedic talents.”
NY1 · Nov 30, 2017
“Unfortunately, ‘The Parisian Woman’ is neither villainous nor irresistible enough to make us care one way or the other.”
NY1 · Nov 15, 2017
“As a solo performer — and I'm counting all Americans — he ranks among the very best.”
NY1 · Nov 10, 2017
“‘The Band’s Visit’ is all about the human desire for connection, no matter how tentative or brief.”
NY1 · Oct 27, 2017
“So strong is Hwang's writing, ‘M. Butterfly’ is riveting theatre, even when the production fails to fully take wing.”
NY1 · Aug 25, 2017
“My sentiments, exactly, with Mr. Prince's latest.”
NY1 · Aug 10, 2017
“It's no wonder he hit the target with this one, even if he is preaching to the choir.”
NY1 · Jun 29, 2017
“Lili Taylor's naturalistic performance is downright life-affirming.”
NY1 · Apr 28, 2017
“Metcalf dazzles with a performance that bridges the centuries.”
NY1 · Apr 21, 2017
“She morphs into the role of the beloved matchmaker with a star power that brightens the universe.”
NY1 · Apr 17, 2017
“The musical doesn't quite solve that problem.”