The New York Times · Apr 23, 2026
“So it is absolutely bizarre that ‘Beaches’ the musical, which opened on Wednesday night at the Majestic Theater, is a spectacularly unaffecting experience.”
Reviews
13
Average
73
Highest
87
Lowest
19
The New York Times · Apr 23, 2026
“So it is absolutely bizarre that ‘Beaches’ the musical, which opened on Wednesday night at the Majestic Theater, is a spectacularly unaffecting experience.”
The New York Times · Apr 6, 2026
“These characters aren’t likable at all.”
“Transferred from London’s West End by way of Cambridge, Mass., this twinkly two-hander delivers lavishly on the promise of a rom-com: laughter, escape and fantasy.”
The New York Times · Nov 9, 2025
“Stephen Schwartz and Lindsey Ferrentino'”
The New York Times · Oct 30, 2025
“As played by a glorious Laurie Metcalf in Samuel D. Hunter’s keen-eyed, compassionate play ‘Little Bear Ridge Road,’ which opened on Thursday night at the Booth Theater, she is also one of the funniest and most thoroughly human characters seen lately on a New York stage.”
The New York Times · Sep 28, 2025
“So while it isn’t a sure thing that Reeves and Winter can rise to the level of Dirden and Thornton, bringing a necessary balance to the production, there certainly is a chance.”
The New York Times · Apr 27, 2025
“It is a bouncy, crowd-pleasing comedy about female empowerment, self-acceptance and chasing one’s ambitions.”
The New York Times · Apr 21, 2025
“Suddenly, powerfully, Floyd was all of us, waylaid mid-pursuit of happiness, uncertain how to proceed.”
The New York Times · Nov 17, 2024
“In its latest Broadway outing, starring an exuberant Grey Henson in the title role, 'Elf the Musical' has gotten Buddy delightfully, entirely right.”
The New York Times · Apr 25, 2024
“It’s a perfectly winsome scene, and a highlight of this ultimately underwhelming new adaptation.”
The New York Times · May 5, 2023
“All of which surely helps to explain the unwieldiness of ‘The Sign in Sidney Brustein’s Window,’ a play that we might have looked back on as an early effort if only Hansberry had lived.”
The New York Times · Apr 25, 2023
“They are a gorgeous duo, these friends: bickering lifelines for each other, vulnerable and too proud.”
The New York Times · Oct 14, 2021
“The primary reason to see ‘The Lehman Trilogy,’ then, is to witness the superb Beale, Godley and Lester in their feats of storytelling — and to conspire with them in imagining the play’s tarnished, if not truly vanished, world.”