The Contending

“Jonathan Spector destroys all that cautiousness and timidity with his bold, ambitious and ultimately transcendent new play, Birthright, which, not mincing words, needs to move to Broadway ASAP.”

“For now, this Chess proves a glorious sampler.”

“It is the kind of work I crave in a comedy-- insightful, entertaining, uproariously funny, perspicaciously comments on our time and stays with you long after the curtain comes down.”

“In a season of disappointing musicals (new or revived), The Rocky Horror Show is a welcome tonic.”

“Both musicals are incredibly entertaining and have a mad fab talented ensemble working their respective Broadway butts off singing and dancing and sillying at the speed of sound.”

“Roundabout Theatre Company and pace-perfect director Scott Ellis have awakened this quite funny if somewhat slight theatrical bonbon and mined it for all possible laughs.”

“This formidable production to reveal the terrific twists and turns as they happen.”

“Titanique is a fabulous, lunatic, camp triumph on Broadway.”

“It is one of the finest stage performances of the year, for certain.”

“Cats: The Jellicle Ball is a fine tribute to ballroom.”

“Everything old is, indeed, new again and my audience ate it up.”

“And he pulls it off thanks to his inherent charm, wit, warmth as well as his ability to run swiftly while high fiving!”

“This one does that magnificently, while providing seven incredibly talented female actors—and a lone male (Charlie Thurston) the kind of roles they can sink their souls into.”

“And it is, by far, the best, most sublime musical of the season.”

“This was my near-breathless reaction to experiencing the first half of Kimberly Belflower's absolutely riveting and thought-provoking new play, John Proctor Is the Villain, the second most electrifying and manipulative production I have seen this season.”

“She’s a feminist but is also allowed to fall head over heels in love.”

“All the madness comes together rather spectacularly in a show that proves that crazy-crackers outside-the-box creative ideas can beat the Nazis and can also make for a truly terrific and sometimes sublime theatrical experience.”

“It’s also a wholly relatable theatrical experience, just in time for anyone feeling trepidation about attending familial holiday gatherings.”

“Swept Away is a riveting odyssey and if you can allow yourself to break free of genre-convention, you’re in for a thought provoking and sublime experience.”

“Share on Twitter The entrancing new musical—not based on any film or book or series or album or—well you get me—Maybe Happy Ending, begins rather slowly and quietly as we witness the mundane (although not to him) day-to-day, moment-to-moment rituals that Oliver (Darren Criss), a retired robot who doesn’t realize he’s retired, goes through while ...”