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JD

Joe Dziemianowicz

Also writes for: New York Theatre Guide, Theater News Online, New York Post

Reviews

341

Average

69

Highest

96

Lowest

15

8th most prolific critic·1054th most generous scorer· ranks across all reviews
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Proof
91

Broadway just got smarter and deeper thanks to the return of David Auburn’s Proof, a complex, curvy, and thoroughly compelling play motored by a math-related mystery.

The Fear of 13

Strong performances by Adrien Brody and Tessa Thompson elevate this onstage look at the life of Nick Yarris, but that doesn’t free The Fear of 13 from its extended stretches of theatrical and emotional lockup.

Giant
67

While admirably smart and ably directed by Nicholas Hytner, Giant shrinks from the nagging fact that it goes in circles rather than building in gripping dramatic fashion.

Bug
75

Between fine acting and the chance to see a seldom-represented genre on stage, theatregoers have reasons to swarm to Bug.

The Queen of Versailles

So, spending nearly 3 hours with her and her billionaire timeshare-tycoon husband, David (F. Murray Abraham), in this busy but only fitfully engaging new Broadway musical is a long sit.

Ragtime

Between its robust score, showcase moments for the cast, and evergreen resonance, Ragtime is easy to heartily recommend.

Waiting for Godot

Back in New York with a starry cast, Waiting for Godot makes you think about meaning in an indifferent world, and that’s a timely takeaway.

The Last Five Years

But that happens here, so the songs became more about the actors than the characters, and the emotional connection dries up — just like tear ducts.

Good Night, and Good Luck

At the Theatre, the production directed by David Cromer (The Band’s Visit) is earnest and movie-star handsome (thanks to great work by set designer Scott Pask), but unexciting.

Purpose

Branden Jacobs-Jenkins’s new Broadway play blends sharp humor and weightiness into a rousing family drama.

McNeal

Although the play falls short of leaving a deep impact, Robert Downey Jr.’s star turn and strong physical staging keep you on board for McNeal's fleet 90 minutes.

Mary Jane

Mary Jane is a beautiful, emotional story providing an intimate portrait of a caregiving mother trying to get by.

The Outsiders

Scherzinger, in bare feet and a black slip, could use a shade more vulnerability as past-her-prime Norma. But she shows off powerhouse pipes in the show's best songs, her crowd-rousing solos "With One Look" and "As If We Never Said Goodbye.

The Who's Tommy

Tommy’s saga delivers a pointed and potent take on trauma, fame, and individuality that resonates and speaks directly to today.

I Need That

Otherwise, Theresa Rebeck’s wispy comedy about love, loss, and coping with the aftermath, is all too expected.

Grey House

Although the 110-minute production oozes mystery and a ghostly vibe, it doesn’t deliver intense shivers.

Prima Facie

Running 100 unbroken minutes, the production is Exhibit A of how a focused and fierce performance can elevate a work.

Sweeney Todd

Absent that, or even a faint whiff of borderline madness from what he’s been dealt, the production comes off as a bit too tame.

Parade

As a displaced New Yorker who’s not so likable, Dear Evan Hansen Tony winner Platt notches another Broadway triumph.

Pictures From Home

Playwright Sharr White (The Other Place) finds similar narrative inspiration for this rich drama about the marvels and mysteries of an ordinary family.

Some Like It Hot

If you're thirsty for an old-fashioned, energetic mega-musical with new-fashioned stars and sensibilities, then It Hot satisfies on all counts.

KPOP
75

On the other hand, KPOP, written by Jason Kim and directed by Teddy Bergman, has scarcely enough compelling substance to sustain its own first act.

A Christmas Carol

Another holiday season, another take on 'A Christmas Carol.' Like other theatrical versions of the classic, this one ends with the same words credited to Tiny Tim...a production this taut and well-told is its own sort of blessing.

Walking with Ghosts

Connecting the dots between vignettes in a more powerful thematic way would give the show a cumulative wallop that now feels somewhat lacking.

The Piano Lesson

Under the deft guidance of LaTanya Richardson Jackson, who makes her Broadway directing debut, August Wilson’s stirring story filled with richly drawn characters, family drama, humor, and beyond-this-world mystery (cue the ghost!) comes vividly to life.

Mr. Saturday Night

But along with the rest of the creative team, including director John Rando (Urinetown), who guides the less-than-deluxe-looking production, the songwriters haven't presented a compelling argument that Buddy's story expands as a musical.

Plaza Suite

"4/5 stars...The show packs moments that are gleefully LOL, is deeper than you might expect, and the real-life married stars co-piloting this vintage vehicle are in fine form...In his Broadway debut as a director, Tony-winning actor John Benjamin Hickey displays a deft hand and sure instincts.

Flying Over Sunset

The trippy spectacle of an LSD-high Grant singing, "I am a giant penis rocket ship! Zoom! Kaboom!" — yes, really — can't keep this from being a trek to nowhere.

West Side Story

Like many big-swing experimental bids to reimagine a canonical work, director Ivo van Hove's vigorously youthful take on the 1957 classic comes with losses and gains, but the latter are what you'll remember.

Linda Vista

Barford, uninhibited and honest, is perfectly cast and leads a uniformly very fine ensemble in this Steppenwolf production presented on Broadway by Second Stage.

Burn This
Burn This

New York Post · Apr 17, 2019

78

This show has all that, as well as contrivances and speeches more colorful than convincing.

Kiss Me, Kate
78

Whether she’s hitting high notes or swatting her male co-star, Kelli O’Hara — funny and fierce — is reason enough to see “Kiss Me, Kate.”

True West
True West

New York Post · Jan 25, 2019

42

This new version, directed by James Macdonald, could use a high-voltage power infusion.

The Cher Show

Stephanie J. Block gives the season's first must-see star turn as one of the show's three Chers.

The Waverly Gallery

It’s hard watching Gladys’ vigor and faculties fade within two years, beginning in 1989, when her hair turns from auburn to white, since dyeing it is the least of her concerns.

The Lifespan of a Fact

The verbal volleys can be fun, but some of the action seems silly and contrived: When Jim somehow ends up hiding in a closet, it’s like something out of a “Three’s Company” episode.

Bernhardt/Hamlet

A terrifically theatrical and entertaining but not quite airtight new Broadway comedy...Makes you laugh and think about gender, power and theater.

Pretty Woman: The Musical

“The hooker with the heart of gold is singing a new tune — but it’s the same old icky story...Slick direction and choreography, plus fine performances...But, like so many movies churned into musicals, the show is a warmed-over copy of the original. Seriously: Why would anyone revisit such a funky fable, especially in the #MeToo age?...

The Iceman Cometh

Washington has shiny star quality and 100-proof charisma that fits like a glove for Hickey, who's a sort of celebrity to these barflies.

Angels in America

The unsettling winged wonder, hoisted aloft by a handful of people in black, is just one of the eye-opening, brain-jogging jolts of this revival — the most electrifying production you're apt to ever see of the author's masterwork.

Farinelli and the King

English playwright Claire van Kampen’s fact-based but liberally embroidered drama isn’t so sensational — and can't get past one obstacle.